London Film School, offer full-time MA Degree courses in both Film Making and Screewriting.

This workshop is a module of the 2009 Fast Forward Programme. Fast Forward is a career focused programme for industry professionals looking to develop their skills to the next level. Click here for more details.

With the current financial pressures on all aspects of film production it is now more important than ever, both as a Producer and a Designer, to have a good working knowledge of how Art Department budgets are created.

This 4-day workshop with BAFTA-winning Production Designer Adrian Smith is based around two recent productions: the award winning and critically acclaimed feature BRONSON (Best Film, Sydney Film Festival 2009) and FRESH, a new BBC3 comedy series. The workshop will centre around an in depth examination of how the budgets for these two productions were arrived at and run.

´Bronson´(dir. Nicolas Winding Refn, 2009)

Course outline

Day 1
- Introduction to budgeting for Production Design
- Screening: Selected scenes from BRONSON
- How to break down a script for Art Dept budgeting

Day 2
A detailed look at the different areas within the budget, as follows:
Construction:
- Chippys
- Painters
- Plasterers
- Sculptors/Model making
- Scenic Art
- C.G.I.
The Prop Dept:
- Buying / Hiring
- Action Props
- Consumables
- Action Vehicles
- Animals
The Art Dept:
- Crewing
In the afternoon Adrian will be joined by Construction Manager Antoine Robin.

Day 3
A detailed look at the BRONSON and FRESH budgets. Adrian will be joined by Production Buyer Alice Norris.

Day 4
The final day will be spent working out a budget on an unseen script.

Fee: £410.00 (all fees include a Skillset subsidy, therefore this course is not eligible for individual Skillset bursaries)

TUTOR PROFILE

Adrian Smith trained as a Theatre Designer under Ralph Koltai before working as a TV Designer at the BBC and for many independent TV companies. He has subsequently worked as a Production Designer in both feature film and TV drama.

Adrian’s feature credits include FULL METAL JACKET (1987) as Art Director, and THE SECRET OF ROAN INNISH (1994) and BRONSON (2009) as Production Designer. His early TV credits include the first three films in the 1983 “The Comic Strip Presents..." series (FIVE GO MAD IN DORSET, BEAT GENERATION, SUMMERSCHOOL). More recently he designed the first series of SHAMELESS (2004).

Adrian has twice been nominated for a BAFTA: in 1988 for FAR FROM THE MADDING CROWD, and more recently in 2007 for THE HISTORY OF MR POLLY, for which he won Best Design.

Adrian has taught production design at the Royal College of Art, the NFTS and at the London Film School.

Antoine Robin on IMDb

Alice Norris on IMDb

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Admissions

This workshop is designed to be a module for the Fast Forward Programme. However there are limited places available to undertake individual workshops.

Application

Please register your interest with Carolyn Atherton at: workshops@lfs.org.uk

Instructions

Please complete the Application Form and the Ethnicity and Disability Monitoring Form and email them to: workshops@lfs.org.uk together with your CV and a personal statement (i.e. a few paragraphs explaining why you’re applying for the course, what you hope to gain from it etc).

Resources

• Application Form
• Ethnicity and Disability monitoring form

Telephone us:
+44 (0)20 7836 9642

Fax us:
+44 (0)20 7497 3718